Marketa Lazarová by František Vláčil, 1967
Maya Deren, The Very Eye of Night, 1958
Inside Rooms: 26 Bathrooms, London & Oxfordshire (Peter Greenaway, 1985)
![eugenehl:
NEJASNÁ ZPRÁVA O KONCI SVETA [AN AMBIGUOUS REPORT ABOUT THE END OF THE WORLD]. 1997, JURAJ JAKUBISKO.](http://24.media.tumblr.com/22303fcbc9d72961c95d0d4fb0d77a96/tumblr_mmde7fwBW91qd68j7o1_500.png)
NEJASNÁ ZPRÁVA O KONCI SVETA [AN AMBIGUOUS REPORT ABOUT THE END OF THE WORLD]. 1997, JURAJ JAKUBISKO.
Two Faces by Hermine Freed, 1972
Utilizing a split and reversed screen, Freed faces herself, caressing and kissing her doubled image. Without narration, the tape shows Freed suspended between two images, existing as a doubled person.
In light of feminist discourse on women’s alienation from themselves in a male-dominated culture and the co-option of women’s images by advertising and the media, this tape reads as Freed’s attempt to contact her self-image directly—to, in effect, claim her image. [ftp]
You can watch a clip from this short film at the link.
Christina Lindberg in Thriller - A Cruel Picture / They Call Her One Eye (Bo Arne Vibenius, 1974)
(via coitusandcarnage, cultqueen)
Film About a Woman Who… (Yvonne Rainer, 1974)
“The Private Life of a Cat” (1944) - Alexander Hammid
experimentalcinema, mexicanloneliness:
Meshes of the Afternoon (Maya Deren & Alexander Hammid, 1943)