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roserosette:

Invocation of My Demon Brother, 1969, Kenneth Anger

roserosette:

Invocation of My Demon Brother, 1969, Kenneth Anger

batarde:

The White Bird Marked With Black (Yuri Ilyenko, 1971)

ozu-teapot:

L’homme qui ment - Alain Robbe-Grillet - 1968

(via rigabol-deactivated20141016)

roserosette:

Invocation of My Demon Brother, 1969, Kenneth Anger

roserosette:

Invocation of My Demon Brother, 1969, Kenneth Anger

Syntagma (Valie Export, 1983)

Syntagma (Valie Export, 1983)

roserosette:

Invocation of My Demon Brother, 1969, Kenneth Anger

roserosette:

Invocation of My Demon Brother, 1969, Kenneth Anger

batarde:

The White Bird Marked With Black (Yuri Ilyenko, 1971)

foxesinbreeches:

Filmfinish by Paolo Gioli, 1986-1989

foxesinbreeches:

Filmfinish by Paolo Gioli, 1986-1989

ozu-teapot:

L’homme qui ment - Alain Robbe-Grillet - 1968

(via rigabol-deactivated20141016)

experimentalcinema, keyframedaily:

Shûji Terayama on set of Emperor Tomato Ketchup (1971).

keyframedaily:

Shûji Terayama on set of Emperor Tomato Ketchup (1971).

roserosette:

Invocation of My Demon Brother, 1969, Kenneth Anger

roserosette:

Invocation of My Demon Brother, 1969, Kenneth Anger

Syntagma (Valie Export, 1983)

Syntagma (Valie Export, 1983)

About:

foxesinbreeches' depository for cinematic masturbation.

Pervasive themes include nuns, noir, trash, art-wank, viscera, boobs, surrealism, and varying combinations thereof.

Here, we dream longingly of resurrecting the respectively pickled cadavers of Divine and Oliver Reed for a neo-noir Sapphic nun film based loosely on The Story of the Eye, made highbrow through an aspiring Bernard Herrmann soundtrack written by Goblin, and recycling the dolphin fountain pool last used for Showgirls as a chief prop.

Submissions welcome. Ask away too, but it should be noted that we're currently unable to explain why remaking The Wicker Man, I Spit On Your Grave or Sisters was ever considered, nor why Bitter Moon exists.

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