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roserosette:

The Last Theft, 1987, Jiri Barta

roserosette:

Queens of Evil, 1970, Tonino Cervi

experimentalcinema, patternandshape:

Marianne Faithfull on set of Kenneth Anger’s Lucifer Rising

patternandshape:

Marianne Faithfull on set of Kenneth Anger’s Lucifer Rising

(Source: ebay.com)

primalscene:

Reminiscences of a Journey to Lithuania (Jonas Mekas, 1972)

raveneuse:

Kurt Kren, 9/64 O Tannenbaum / 9/64 O Christmas Tree, 1964. 16mm, colour, silent, 2:56 min. Action by Otto Mühl.

raveneuse:

Kurt Kren, 9/64 O Tannenbaum / 9/64 O Christmas Tree, 1964. 16mm, colour, silent, 2:56 min. Action by Otto Mühl.

giallolooks:

Rita Hayworth in The Lady From Shanghai (1947, Orson Welles)

Juliet Berto in Duelle (1976, Jacques Rivette)

visualtraining:

Beneath the Skin (1981, Cecelia Condit)

batarde:

The Pervert’s Guide To Cinema (Sophie Fiennes, 2006)

batarde:

The Pervert’s Guide To Cinema (Sophie Fiennes, 2006)

The Telephone Book (Nelson Lyon, 1971)

(via )

bigleblogski:

"I will have spent my life trying to understand the function of remembering, which is not the opposite of forgetting, but rather its lining. We do not remember. We rewrite memory much as history is rewritten. How can one remember thirst?"

Sans Soleil (1983) Chris Marker

roserosette:

The Last Theft, 1987, Jiri Barta

roserosette:

Queens of Evil, 1970, Tonino Cervi

experimentalcinema, patternandshape:

Marianne Faithfull on set of Kenneth Anger’s Lucifer Rising

patternandshape:

Marianne Faithfull on set of Kenneth Anger’s Lucifer Rising

(Source: ebay.com)

primalscene:

Reminiscences of a Journey to Lithuania (Jonas Mekas, 1972)

raveneuse:

Kurt Kren, 9/64 O Tannenbaum / 9/64 O Christmas Tree, 1964. 16mm, colour, silent, 2:56 min. Action by Otto Mühl.

raveneuse:

Kurt Kren, 9/64 O Tannenbaum / 9/64 O Christmas Tree, 1964. 16mm, colour, silent, 2:56 min. Action by Otto Mühl.

giallolooks:

Rita Hayworth in The Lady From Shanghai (1947, Orson Welles)

Juliet Berto in Duelle (1976, Jacques Rivette)

visualtraining:

Beneath the Skin (1981, Cecelia Condit)

batarde:

The Pervert’s Guide To Cinema (Sophie Fiennes, 2006)

batarde:

The Pervert’s Guide To Cinema (Sophie Fiennes, 2006)

The Telephone Book (Nelson Lyon, 1971)

(via )

bigleblogski:

"I will have spent my life trying to understand the function of remembering, which is not the opposite of forgetting, but rather its lining. We do not remember. We rewrite memory much as history is rewritten. How can one remember thirst?"

Sans Soleil (1983) Chris Marker

About:

foxesinbreeches' depository for cinematic masturbation.

Pervasive themes include nuns, noir, trash, art-wank, viscera, boobs, surrealism, and varying combinations thereof.

Here, we dream longingly of resurrecting the respectively pickled cadavers of Divine and Oliver Reed for a neo-noir Sapphic nun film based loosely on The Story of the Eye, made highbrow through an aspiring Bernard Herrmann soundtrack written by Goblin, and recycling the dolphin fountain pool last used for Showgirls as a chief prop.

Submissions welcome. Ask away too, but it should be noted that we're currently unable to explain why remaking The Wicker Man, I Spit On Your Grave or Sisters was ever considered, nor why Bitter Moon exists.

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