/tagged/film+stills/page/2
todf:

branduponthebrain:

Hold Me While I’m Naked (George Kuchar, 1966)

todf:

branduponthebrain:

Hold Me While I’m Naked (George Kuchar, 1966)

experimentalcinemawildhotels:

Aleph (Wallace Berman, 1958-1976, available here)

“Aleph is an artist’s meditation on life, death, mysticism, politics, and pop culture. In an eight-minute loop of film, Wallace Berman uses Hebrew letters to frame a hypnotic, rapid-fire montage that captures the go-go energy of the 1960s. Aleph includes stills of collages created using a Verifax machine, Eastman Kodak’s precursor to the photocopier. These collages depict a hand-held radio that seems to broadcast or receive popular and esoteric icons. Signs, symbols, and diverse mass-media images (e.g., Flash Gordon, John F. Kennedy, Mick Jagger) flow like a deck of tarot cards, infinitely shuffled in order that the viewer may construct his or her own set of personal interpretations. The transistor radio, the most ubiquitous portable form of mass communication in the 1960s, exemplifies the democratic potential of electronic culture and serves as a metaphor for Jewish mysticism. The Hebrew term kabbalah translates as “reception” for knowledge, enlightenment, and divinity.”

infinitetext:

Chris Marker, Sans Soleil, 1983.

infinitetext:

Chris Marker, Sans Soleil, 1983.

L’Âge d’Or (Luis Buñuel, 1930)
(via rrosehobart, maudit)

L’Âge d’Or (Luis Buñuel, 1930)

(via rrosehobartmaudit)

Aus dem Leben der Marionetten / From the Life of the Marionettes (Ingmar Bergman, 1980)
(via eugenehl)

Aus dem Leben der Marionetten / From the Life of the Marionettes (Ingmar Bergman, 1980)

(via eugenehl)

eugenehl:

Dream sequence in…
Aus dem Leben der Marionetten [From the Life of the Marionettes]. 1980, Ingmar Bergman.

eugenehl:

Dream sequence in…

Aus dem Leben der Marionetten [From the Life of the Marionettes]. 1980, Ingmar Bergman.

infinitetext:

Luis Buñuel, Belle de Jour, 1967.

infinitetext:

Luis Buñuel, Belle de Jour, 1967.

Kill, Baby… Kill! (Mario Bava, 1966)
(via throwherinthewater)

Kill, Baby… Kill! (Mario Bava, 1966)

(via throwherinthewater)

 todf,coitusandcarnage:

Ken Russell’s The Devils, 1971
Sin can be caught as easily as the plague

 todf,coitusandcarnage:

Ken Russell’s The Devils, 1971

Sin can be caught as easily as the plague

obscureandoffbeatcinema:

Grin without a Cat (Chris Marker, 1977)

obscureandoffbeatcinema:

Grin without a Cat (Chris Marker, 1977)

todf:

branduponthebrain:

Hold Me While I’m Naked (George Kuchar, 1966)

todf:

branduponthebrain:

Hold Me While I’m Naked (George Kuchar, 1966)

experimentalcinemawildhotels:

Aleph (Wallace Berman, 1958-1976, available here)

“Aleph is an artist’s meditation on life, death, mysticism, politics, and pop culture. In an eight-minute loop of film, Wallace Berman uses Hebrew letters to frame a hypnotic, rapid-fire montage that captures the go-go energy of the 1960s. Aleph includes stills of collages created using a Verifax machine, Eastman Kodak’s precursor to the photocopier. These collages depict a hand-held radio that seems to broadcast or receive popular and esoteric icons. Signs, symbols, and diverse mass-media images (e.g., Flash Gordon, John F. Kennedy, Mick Jagger) flow like a deck of tarot cards, infinitely shuffled in order that the viewer may construct his or her own set of personal interpretations. The transistor radio, the most ubiquitous portable form of mass communication in the 1960s, exemplifies the democratic potential of electronic culture and serves as a metaphor for Jewish mysticism. The Hebrew term kabbalah translates as “reception” for knowledge, enlightenment, and divinity.”

infinitetext:

Chris Marker, Sans Soleil, 1983.

infinitetext:

Chris Marker, Sans Soleil, 1983.

L’Âge d’Or (Luis Buñuel, 1930)
(via rrosehobart, maudit)

L’Âge d’Or (Luis Buñuel, 1930)

(via rrosehobartmaudit)

Aus dem Leben der Marionetten / From the Life of the Marionettes (Ingmar Bergman, 1980)
(via eugenehl)

Aus dem Leben der Marionetten / From the Life of the Marionettes (Ingmar Bergman, 1980)

(via eugenehl)

eugenehl:

Dream sequence in…
Aus dem Leben der Marionetten [From the Life of the Marionettes]. 1980, Ingmar Bergman.

eugenehl:

Dream sequence in…

Aus dem Leben der Marionetten [From the Life of the Marionettes]. 1980, Ingmar Bergman.

infinitetext:

Luis Buñuel, Belle de Jour, 1967.

infinitetext:

Luis Buñuel, Belle de Jour, 1967.

Kill, Baby… Kill! (Mario Bava, 1966)
(via throwherinthewater)

Kill, Baby… Kill! (Mario Bava, 1966)

(via throwherinthewater)

 todf,coitusandcarnage:

Ken Russell’s The Devils, 1971
Sin can be caught as easily as the plague

 todf,coitusandcarnage:

Ken Russell’s The Devils, 1971

Sin can be caught as easily as the plague

obscureandoffbeatcinema:

Grin without a Cat (Chris Marker, 1977)

obscureandoffbeatcinema:

Grin without a Cat (Chris Marker, 1977)

About:

foxesinbreeches' depository for cinematic masturbation.

Pervasive themes include nuns, noir, trash, art-wank, viscera, boobs, surrealism, and varying combinations thereof.

Here, we dream longingly of resurrecting the respectively pickled cadavers of Divine and Oliver Reed for a neo-noir Sapphic nun film based loosely on The Story of the Eye, made highbrow through an aspiring Bernard Herrmann soundtrack written by Goblin, and recycling the dolphin fountain pool last used for Showgirls as a chief prop.

Submissions welcome. Ask away too, but it should be noted that we're currently unable to explain why remaking The Wicker Man, I Spit On Your Grave or Sisters was ever considered, nor why Bitter Moon exists.

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