/tagged/surrealism/page/2

roserosette:

L’Étoile de Mer, 1928, Man Ray

roserosette:

La femme 100 têtes, 1968, Eric Duvivier

roserosette:

La femme 100 têtes, 1968, Eric Duvivier
rrosehobart, albertine-s:

Emak-Bakia, Man Ray (1926)

rrosehobartalbertine-s:

Emak-Bakia, Man Ray (1926)

clairesaintmalo, maudit:

L’age d’or, 1930. Luis Buñuel

clairesaintmalomaudit:

L’age d’or, 1930. Luis Buñuel

(via nievesmingueza)

human-activities, cinemasavage:

Belle de Jour (Dir. Luis Buñuel, 1967)

(via 199714424)

mudwerks, nitratediva:

From Man Ray’s L’étoile de mer (The Starfish), 1928.

mudwerksnitratediva:

From Man Ray’s L’étoile de mer (The Starfish), 1928.

roserosette:

Reference to Hans Bellmer in Marquis de Sade’s Prosperities of Vice, (1988, Akio Jissoji).

roserosette:

Man Ray’s Imaginary Portrait of the Marquis de Sade in Marquis de Sade’s Prosperities of Vice (1988, Akio Jissoji)

roserosette:

L’Étoile de Mer, 1928, Man Ray

roserosette:

La femme 100 têtes, 1968, Eric Duvivier

roserosette:

La femme 100 têtes, 1968, Eric Duvivier
blue-of-noon, theheadlesswoman:

Tristana (Luis Buñuel, 1970)

blue-of-noontheheadlesswoman:

Tristana (Luis Buñuel, 1970)

(via visualtraining)

gacougnol:

Hans RichterVormittagspuk 1927

gacougnol:

Hans Richter
Vormittagspuk
1927

rrosehobart, albertine-s:

Emak-Bakia, Man Ray (1926)

rrosehobartalbertine-s:

Emak-Bakia, Man Ray (1926)

clairesaintmalo, maudit:

L’age d’or, 1930. Luis Buñuel

clairesaintmalomaudit:

L’age d’or, 1930. Luis Buñuel

(via nievesmingueza)

human-activities, cinemasavage:

Belle de Jour (Dir. Luis Buñuel, 1967)

(via 199714424)

mudwerks, nitratediva:

From Man Ray’s L’étoile de mer (The Starfish), 1928.

mudwerksnitratediva:

From Man Ray’s L’étoile de mer (The Starfish), 1928.

roserosette:

Reference to Hans Bellmer in Marquis de Sade’s Prosperities of Vice, (1988, Akio Jissoji).

roserosette:

Man Ray’s Imaginary Portrait of the Marquis de Sade in Marquis de Sade’s Prosperities of Vice (1988, Akio Jissoji)

About:

foxesinbreeches' depository for cinematic masturbation.

Pervasive themes include nuns, noir, trash, art-wank, viscera, boobs, surrealism, and varying combinations thereof.

Here, we dream longingly of resurrecting the respectively pickled cadavers of Divine and Oliver Reed for a neo-noir Sapphic nun film based loosely on The Story of the Eye, made highbrow through an aspiring Bernard Herrmann soundtrack written by Goblin, and recycling the dolphin fountain pool last used for Showgirls as a chief prop.

Submissions welcome. Ask away too, but it should be noted that we're currently unable to explain why remaking The Wicker Man, I Spit On Your Grave or Sisters was ever considered, nor why Bitter Moon exists.

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